The Stealthy Step of Death and Her Dog, 1996   Wood, oil paint, metal 40 in x 28 in x 30 in
       
     
  Under a Moon, Nailed, Fixed , 1993 Wood, french clay, glass eyes 34 x 39 x 19 in
       
     
  Boy Skeleton , 1996 Wood, oil paint, metal 40 x 40 x 30 in
       
     
  I Wake to Sleep and Take my Waking Slowly , 1994 Wood, felt, paint 97 x 36 x 32 in
       
     
  Teach Your Toes to Listen to Your Tongue , 1994 Ultracal, metal, oil paint 36 x 18 x 6 in
       
     
  Uprooted,  1995 Mixed media 12 x 8 x 40 in   
       
     
  7 1/2 W   10  1/2 M, 1994 Hydrostone, oil paint, gold leaf
       
     
  Child Size 6,  1998 Mixed media 10 x 10 x 3 in
       
     
  You Can Not Tell the Keepers from the Kept,  1998 Wood, light Edition of 3 38 x 16 x 2 in
       
     
  They Can Not Speak, 2001  Glass eyes, lights Installed in a wall
       
     
  False Premise , 2000 bronze, wood, oil paint 74 x 46 x 46 in
       
     
  Before and After,  2000 Bronze, wood 7 x 7 x 3 ft
       
     
  Parting Shot , 1997 Terra-cota, hydrocal, oil paint 32 x 18 x 18 in Edition of 3
       
     
  Clapping Hands , 1997 Rubber, metal, mechanism 36 x 14 x 14 in The hands clap when the handle is pulled back and forth.
       
     
  Dream Lock,  1998 Hydrocal, oil paint, brass 30 x 18 x 7 in
       
     
  Trees on Wheels,  1998 These collaborators have produced a set of six cartoony, three-dimensional trees, each in its own terra-cotta pot on wheels. The leafless plants have serpentine trunks and limbs and are covered in a dark green feltlike fuzz. One appears to pass through a wall. They are comical and enigmatic. (Ken Johnson, The New York Times, Art Guide, March 6, 1998).
       
     
  Una Simetria Despiadada,  1997 Wood, plaster, steel, oil paint, raw pigment 97 x 66 x 66 in
       
     
  Chitón,  1998   Mixed media   24 x 10 x 8 in
       
     
  It Finds a Way , 1996 Wood, metal 43 in x 36 in x 36 in Collection of Centro de Arte Reina Sofa, Madrid.
       
     
  Listening , 1997 Ultracal, metal, rubber 36 in x 14 in 14 in
       
     
  The Kiss , 1995 Ultracal, french clay 12 x 8 x 6 in
       
     
  Fruits of the Wound , 1994 Wood, plaster, brass and raw pigment 80 x 40 x 40 in
       
     
  A Cure for All Remedies,  1994 motor (behind wall), hand, watch hypnotic movement 5 x 5 x 36 in
       
     
  The Stealthy Step of Death and Her Dog, 1996   Wood, oil paint, metal 40 in x 28 in x 30 in
       
     

The Stealthy Step of Death and Her Dog, 1996
Wood, oil paint, metal
40 in x 28 in x 30 in

  Under a Moon, Nailed, Fixed , 1993 Wood, french clay, glass eyes 34 x 39 x 19 in
       
     

Under a Moon, Nailed, Fixed, 1993
Wood, french clay, glass eyes
34 x 39 x 19 in

  Boy Skeleton , 1996 Wood, oil paint, metal 40 x 40 x 30 in
       
     

Boy Skeleton, 1996
Wood, oil paint, metal
40 x 40 x 30 in

  I Wake to Sleep and Take my Waking Slowly , 1994 Wood, felt, paint 97 x 36 x 32 in
       
     

I Wake to Sleep and Take my Waking Slowly, 1994
Wood, felt, paint
97 x 36 x 32 in

  Teach Your Toes to Listen to Your Tongue , 1994 Ultracal, metal, oil paint 36 x 18 x 6 in
       
     

Teach Your Toes to Listen to Your Tongue, 1994
Ultracal, metal, oil paint
36 x 18 x 6 in

  Uprooted,  1995 Mixed media 12 x 8 x 40 in   
       
     

Uprooted, 1995
Mixed media
12 x 8 x 40 in

 

  7 1/2 W   10  1/2 M, 1994 Hydrostone, oil paint, gold leaf
       
     

7 1/2 W 10 1/2 M, 1994
Hydrostone, oil paint, gold leaf

  Child Size 6,  1998 Mixed media 10 x 10 x 3 in
       
     

Child Size 6, 1998
Mixed media
10 x 10 x 3 in

  You Can Not Tell the Keepers from the Kept,  1998 Wood, light Edition of 3 38 x 16 x 2 in
       
     

You Can Not Tell the Keepers from the Kept, 1998
Wood, light
Edition of 3
38 x 16 x 2 in

  They Can Not Speak, 2001  Glass eyes, lights Installed in a wall
       
     

They Can Not Speak, 2001
Glass eyes, lights
Installed in a wall

  False Premise , 2000 bronze, wood, oil paint 74 x 46 x 46 in
       
     

False Premise, 2000
bronze, wood, oil paint
74 x 46 x 46 in

  Before and After,  2000 Bronze, wood 7 x 7 x 3 ft
       
     

Before and After, 2000
Bronze, wood
7 x 7 x 3 ft

  Parting Shot , 1997 Terra-cota, hydrocal, oil paint 32 x 18 x 18 in Edition of 3
       
     

Parting Shot, 1997
Terra-cota, hydrocal, oil paint
32 x 18 x 18 in
Edition of 3

  Clapping Hands , 1997 Rubber, metal, mechanism 36 x 14 x 14 in The hands clap when the handle is pulled back and forth.
       
     

Clapping Hands, 1997
Rubber, metal, mechanism
36 x 14 x 14 in
The hands clap when the handle is pulled back and forth.

  Dream Lock,  1998 Hydrocal, oil paint, brass 30 x 18 x 7 in
       
     

Dream Lock, 1998
Hydrocal, oil paint, brass
30 x 18 x 7 in

  Trees on Wheels,  1998 These collaborators have produced a set of six cartoony, three-dimensional trees, each in its own terra-cotta pot on wheels. The leafless plants have serpentine trunks and limbs and are covered in a dark green feltlike fuzz. One appears to pass through a wall. They are comical and enigmatic. (Ken Johnson, The New York Times, Art Guide, March 6, 1998).
       
     

Trees on Wheels, 1998
These collaborators have produced a set of six cartoony, three-dimensional trees, each in its own terra-cotta pot on wheels. The leafless plants have serpentine trunks and limbs and are covered in a dark green feltlike fuzz. One appears to pass through a wall. They are comical and enigmatic.
(Ken Johnson, The New York Times, Art Guide, March 6, 1998).

  Una Simetria Despiadada,  1997 Wood, plaster, steel, oil paint, raw pigment 97 x 66 x 66 in
       
     

Una Simetria Despiadada, 1997
Wood, plaster, steel, oil paint, raw pigment
97 x 66 x 66 in

  Chitón,  1998   Mixed media   24 x 10 x 8 in
       
     

Chitón, 1998
Mixed media
24 x 10 x 8 in

  It Finds a Way , 1996 Wood, metal 43 in x 36 in x 36 in Collection of Centro de Arte Reina Sofa, Madrid.
       
     

It Finds a Way, 1996
Wood, metal
43 in x 36 in x 36 in
Collection of Centro de Arte Reina Sofa, Madrid.

  Listening , 1997 Ultracal, metal, rubber 36 in x 14 in 14 in
       
     

Listening, 1997
Ultracal, metal, rubber
36 in x 14 in 14 in

  The Kiss , 1995 Ultracal, french clay 12 x 8 x 6 in
       
     

The Kiss, 1995
Ultracal, french clay
12 x 8 x 6 in

  Fruits of the Wound , 1994 Wood, plaster, brass and raw pigment 80 x 40 x 40 in
       
     

Fruits of the Wound, 1994
Wood, plaster, brass and raw pigment
80 x 40 x 40 in

  A Cure for All Remedies,  1994 motor (behind wall), hand, watch hypnotic movement 5 x 5 x 36 in
       
     

A Cure for All Remedies, 1994
motor (behind wall), hand, watch
hypnotic movement
5 x 5 x 36 in